Download lagu Hehuan Ling 合欢令, no. 1 from the collection Xiansuo Beikao 《弦索备考》 - version 2 Mp3

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Title:	Hehuan Ling 合欢令, no. 1 from the collection Xiansuo Beikao 《弦索备考》 - version 2
Contributing Artist:	dbadagna
Album:	Hehuan Ling 合欢令, no. 1 from the collection Xiansuo Beikao 《弦索备考》 - version 2 - Single
Date:	26 March 2017
Duration:	10 Menit 35.00 detik
Type of file:	Audio MP3 (.mp3)
Audio Summary:	mp3, 44100 Hz, stereo, s16p, 128 kb/s

"Hehuan Ling" (合欢令, Song-Poem: Happy Together), piece no. 1 from "Xiansuo Beikao" (弦索备考, String Music Reference; also called "Xiansuo Shisan Tao" (弦索十三套, 13 Suites for Strings), an important collection of Chinese instrumental music published in Beijing in 1814, during the Qing Dynasty.
This recording comes from a 6-CD set entitled "Collection of Chinese Music and Cultural Heritage" 《中国音乐文化遗产典藏》, released by the China Record Corporation Shanghai (中国唱片上海公司发行) in 2013.
The collection's compiler, a nobleman, scholar, and musician of Mongolian ethnicity named Rong Zhai (荣斋), stated his aim in carefully notating the thirteen pieces in the collection (for several of which he prepared separate parts for four different instruments) as preserving a style of music that by his time was already considered old-fashioned and in danger of disappearing. In fact, aside from this music's continued use in a few traditions of northern Chinese shuochang (narrative singing), it did die out, though the collection was eventually republished in staff notation in the late 20th century. The music is only gradually coming back into public view, with infrequent performances taking place primarily in mainland China and Taiwan.
The "xiansuo" (弦索) in the collection's title means "string," and the instrumental music tradition documented therein was indeed one focused on string instruments. The xiansuo tradition's decline led to a common assumption that the music of northern China was based primarily on winds and percussion, while that of southern China was based on string instruments and bamboo flute. The former popularity of this string ensemble music in northern China shows that this was not necessarily the case.
This piece is a suite that features considerable heterophonic differences between the four instrumental parts, as published in the collection: huqin (sihu, a vertical fiddle with four strings in double courses), xianzi (sanxian, a fretless snakeskin banjo with three strings), pipa (a pear-shaped lute with four strings), and guzheng (long zither with bridges).
For more about the "Xiansuo Beikao" collection, see the following 2-part Chinese-language documentary:
The photograph, entitled "Musiciens Chinois. Légation a Pékin. Chine," taken by the French photographer Paul Champion in 1865 or 1866, depicts an instrumental ensemble in northern China (probably Beijing) which may well be performing xiansuo music.